VIKTORIA SZEMEREDY
| Scriptwriter, Film director, Story-teller, Mentor |
Viktoria is a film director, scriptwriter, psychotherapist and intensive care doctor.
In reverse chronological order.
Her past professions helped her develop a diagnostic capability that penetrates the surface and an understanding of deep human emotions.
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Built on her previous two degrees, Viktoria completed her MA in screenplay writing and directing in 2019.
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After five award-winning short films, she works on two feature-length movies.
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DIVIDING LINE
2022
DIVIDING LINE presents the real-time journey of a young doctor, Lily, who breaks down under the psychological pressure of an accident case.She makes a wrong decision to keep her team safe, which opens the door for an unearthly ride through the night into her worst nightmare as a dedicated helper.
METAPHORMS
August 2019
A psychologist and a painter interpret the works of young autistic people at an exhibition opening. Their conversation seems to target the abstract paintings, however, their real topic is the elusive, constantly changing dynamics of their relationship. While they walk through the gallery, it becomes clear, that they have as many difficulties talking about their feelings, as the artists themselves.
PINTU
June 2016
The eldest daughter of an abusive father reaches out for help when she realises that her younger sister is also in danger. Breaking through linguistic, cultural and religious barriers she gathers her strength with the support of a Balinese healer to put an end to the well-hidden domestic violence in the family.
MENTORING
PITCH-DECK CONSULTATION
You have a brilliant idea for your next film, but presenting it to the relevant people is an art. You might want to introduce your project to provisory producers who can help you turn your dream into reality. Or you need to create a pitch-deck for your cast and crew, so they are all on the same page when it comes to making your film...
SHORT SCRIPT CONSULTATION
When I was preparing for my first short film, one of the most influential and inspiring producers told me the secret of a great short story: it lies either in the movie's atmosphere or in the twist in the end. Not mentioning the length of it - keep it snappy, he said. Killing your darlings can be painful, but it is worth going through the process if it improves your story.
FEATURE SCRIPT CONSULTATION
It takes a long time from writing the first draft to the very last one. Actually, your script is going to be rewritten until the first day of shooting. Location, casting, working with your cinematographer blocking the scenes and rehearsing with your actors, who bring their own ideas on the table - these will all alter the final outcome...